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Zuza’s New Book!
“No fear or shame in the dignity of yr experience, language & knowledge.” - Jack Kerouac
Objet petit aThe Unobtainable Object of Desire
Often when a person in power exacts
their power onto a target (a group or
person) they will use tactics of shame
in order to silence the victim. That is,
they will “frame” the targeted victim in
terms of “shaming” so that the target
(the one who is a victim of sexual
abuse or of a false accusation etc.)
will be too ashamed to speak the truth–
to trans-gress the oppressor by
exposing the oppressor as the true
culprit of injustice. By discovering the
power of “de-shaming” we are able to
expose the oppressor for what they
truly are. But not only are you able to
expose the oppressor you are at the
same time liberated from their
oppressive scheme of “shaming” you.
In this way the one
who feels shame is able to reverse the
table by exposing the truth, even if the
telling of that truth is perceived as
shameful.
___________DUSTY CHAPTER 37 SPOILERS AHEAD_______________
But then: "Bliss, I saw Edward kiss you."
My heart beats.
It pounds.
It fights inside my chest cavity and struggles to get through my breast bone.
No, it whispers.
No, it repeats.
Then: "Bella—"
Closing my eyes, wishing he wouldn't do this, I say, "Garrett, don't."
But he says, "Bliss, I know."
And then: "I know everything."
I cover my mouth with both of my hands and open my eyes. Staring at the sand in disbelief, I shake my head.
No.
_______________________________________________________________
He touches me. He reaches for my arm. And I'm crying. So hard. I'm sobbing.
He pulls me closer, and I don't move away. I give him one last chance to mean something, but compared to Edward, he means nothing.
I press my face into his shoulder and whisper quiet goodbyes on his skin. I circle my arms around the back of his neck and run my fingers through his too-busy-sketching-to-cut hair. I let him kiss the side of my face. I stand a little closer because I love his warmth. I love his skater boy scent: grass and sun and summer. The smoke smell I hate on myself is so good on him.
"I'll miss you," I cry.
"I won't be far," he says.
But he doesn't get it.
This goodbye isn't for now; it's for good.
______________________________________________________________
Garrett doesn't let me go, though. He's still kissing my face, closer to my mouth. Little by little, perfect presses…
Until his lips are on mine and his tongue is parting my bottom from my top. Until he's inside of me the only way this boy has ever been—the only way he ever will be.
No, my heart groans.
No, it seethes.
________________________________________________________________
When I turn around and look back into dark brown eyes, I find that the conversations around us have hushed slightly and eyes are darting, and I have the same feeling I had in my bedroom before I left. It's the same awareness I felt with Alice, and my parents. It's the same changeless sentience I've always felt when dealing with something other than my boy.
___________________________________________________________________
Either way, he wasn't fooled. He never was.
With his kiss only seconds old, still burning like a trespass on my lips, I say, "Garrett, you can't tell—"
_______________________________________________________________
I can't see through all of the commotion. A chair gets thrown, a person is pushed down, glass breaks. There's yelling from the door, and an entire group of people trying to hold someone back.
Love is knowing who it is.
Some, who were just sitting around the fire, get up from their chairs and separate from their groups, choosing to run toward the disturbance to get a better look, leaving only Garrett and I near the flames.
And I know—I know before I see him.
I know it before I even hear Petey yell, "Edward, back the fuck up!"
And I know before I hear Alice ask, "Why do you even care?"
And I know before Garrett says, "This is what happens when you keep secrets."
____________________________________________________________________
Go, my heart beats.
Go, it pulses.
The love I love the most takes one more step toward me before Petey and Ben both pull him back by his flannel.
There's more yelling and more cursing and more crying, and I can't stand still anymore.
I break from my spot in the sand and run toward him. The closer I get, as I move through bodies, I keep love's eyes. His body is being maneuvered and handled, but his eyes are mine, deep-dark and unbound.
And I hear people:
"What's going on?"
"Edward and Bella?"
"What?"
"Really?"
"No fucking way!"
______________________________________________________________
"Please," I groan between closed teeth, using her chest to push myself back.
I consider biting her face, pulling her hair and punching her in the stomach, but she finally lets me go.
When she does, I run.
This time, people move out of my way. They look at me as I pass. They wonder how they missed this.
_______________________________________________________________
Jasper, who's stuck firm in front of his friend, looks at me every time my name passes Garrett's lips. And as Garrett says things like, "He busted her fucking headlights," and "Remember at the beach … remember when Bliss was crying?" Jasper's expression gives nothing away.
His words do, though.
"Fuck Bliss," he says.
"She's not fucking worth it, Garrett," Jasper spits, turning away from me. "She's a fucking liar, bro. She's just a slut, G."
It almost hurts.
Garrett calms while Jasper talks to him, and when I notice him nodding his head in agreement, I turn away with no intention of turning back.
I want to leave.
______________________________________________________________
With his hand circled around my small wrist, my boy forces my fingers from ripped cotton. He holds my arm up, glaring at me. Rather than cowering like anyone else would, I stand up to Edward. I give him my wrist, because his hold feels so suffocatingly right. I give him my eyes, because his are so fucking gone, he can just have mine. I say his name over his face, giving him air, because he's not even breathing.
"I want to go," I say, almost like a whisper.
Even if we're not a secret anymore, this is only for him.
My boy cracks a sarcastic smile as his fingers tighten impossibly more. "Yeah?" he asks.
I stand straighter, almost touching his chest with my own. "Yes."
Edward's eyes fall from mine, to my nose, to my lips—lips that still sting from being kissed by another.
My guy tilts his head in Garrett's direction. "That's not what you want?"
"No," I say without a thought.
He laughs, and all of his teeth show—like they used to. Except now, it's wrong. All of this.
Edward lets go of my wrist and takes a step away, killing me. "You fooled me, princess."
_______________________________________________________________
My eyes shift away from love for a half-second. All of our friends are standing around us, watching. It's only been a few minutes, but I'm already being met with uncertainty and mistrust. Alice has her hands over her mouth. Petey lurks in the far back, because he knew. Garrett is staring right at me, pleading silently. Nobody else will look me in the eyes. They kick sand with the toes of their shoes. Ben runs his hand through his hair, looking up at the stars. Jasper won't even face my direction.
They think they know.
They have no idea.
They're clueless to the roles they really played. How we used them. How we lied to them.
Pawns.
And our friends may feel betrayed now, but it's nothing compared to what they'll go through when they learn the whole truth.
Turning away from them is easy, though. Easier than I ever imagined it being. My only concern is Edward, and when I look at him, his eyes are on mine... and they're the only pair that matter.
"I'm ready," I say with my heart in my throat.
_______________________________________________________________
My eyes water, and my hands shake. Dried blood sticks to my elbow, and my arms and legs are covered with goosebumps. I'm losing everything that has ever been important to me; a veil has been lifted, and my innocence stripped.
But it's fine … as long as I have him, it's fine.
"All of a sudden?" he asks, still smiling. He pats his pockets, like he always does. "Why? Because you kissed this kid?"
I shake my head. Cold tears spill from my eyes, down my cheeks.
________________________________________________________________
He would die for me, and I totally fucked him.
I let him down, just like everyone else.
I gave up on Edward, when my heart and my body screamed at me not to.
When he begged me not to.
Edward spits more blood on the concrete. He faces Garrett and says, "Go near my girl again and I'll fucking kill you."
_________________________________________________________________
I take a few steps, but I don't really start to move until I hear the side gate slam shut. Adrenaline that never really calmed pumps my blood and beats my heart. It moves my feet and thaws frozen limbs. Every nerve ending in my body sparks and erupts, lighting up dormant affection and taken-for-granted tenderness.
I can't let him leave again … not without me.
As I pass his sister, Alice grabs onto my wrist and jerks me back. I pull my arm, trying to get free, but she doesn't let me go. Her lips don't need to move for me to know what she's asking. Her eyes are screaming accusations, and her defensive stance is confirming her suspicions.
She knows.
Her best friend was never only her best friend.
__________________________________________________________________
Ignoring whispers from the group on the porch, I run across the lawn. I rush past Alice's Jeep, and Ben's BMW. I hurry under orange street lights and trip over a crack in the sidewalk. I press fallen leaves under my wedges, and I breathe in the cold sea breeze.
I wipe my eyes on my forearm and cry for him again, "Edward!"
__________________________________________________________________
Edward and my dad have moved from the driveway to the lawn. My boy sees me as soon as I come into view, but my dad has his back facing me. Love's dark eyes linger my way before slowly shifting back to Charlie's. Edward holds his hands up, as if surrendering. He shakes his head. He looks down.
Then my dad pushes him.
I scream, "Dad!"
Like I did when my mom pushed me, Edward stumbles back but doesn't fall.
My mom grabs my wrist, out of breath and panting, just as Charlie pushes Edward again. This time love falls to one knee, catching himself with his hands.
Too dire to care about my bruised wrists, Renee holds on to my right forearm with both hands. I groan against the pain, but fight for my arm.
"Mom... Mom, please! Please!" I cry, outrageously.
_______________________________________________________________________
It's not until the next door neighbor comes out of the house to see what's going on that she lets me go.
With both of my hands free, I hurry and slide my thumb across the damaged glass on my phone. It slices me open this time, drawing blood, but the pain doesn't register.
While the phone rings and my mom tries to explain to the neighbor that everything's okay, I hurry away from her and run toward my boy.
________________________________________________________________
Between her knees, with her arms wrapped around mine and her cheek pressed on the top of my head, I can't answer. There are so many things wrong with me. Everything is fucked up.
Our friends were never supposed to find out the way they did. Alice was never supposed to throw my purse at me. My mom was never supposed to block the door. My dad shouldn't be pushing Edward into the fence.
This is where we've fallen, though.
Literally.
My hair has come undone from my braid and water from the lawn is soaking into my sweats. I've stopped fighting, only because the harder I fight, the stronger she holds.
Our neighbors from across the street have come out of their house.
"Renee, should we call the police?" they ask, standing on their porch.
_______________________________________________________________
Staying back with Petey, I watch as Esme runs heads toward my mother. They immediately start arguing. My mom is pointing her finger like she always does, and Esme is standing with her arms crossed, stunning, even now. But as my mother continues to explain what's going on, I see Esme's defenses fall and confusion take their place. My second mother looks at me from over her shoulder before giving her attention back to a woman she could never really stand.
"Did you know?" my mom asks madly. "Did you know about them, Esme?"
I take a few steps in their direction. Petey grabs my hand and follows, holding me back when I get too close.
Esme shakes her head, visibly crying. "I thought... I—"
Both women look at me, disappointment so apparent.
_______________________________________________________________________
My heart breaker is in front of me, lifting my chin, pushing hair away from my face. "It's okay, B. It's better... it is."
I snap out of it.
I grab the collar of his shirt and pull. I cry like I've never cried before. I fight like I have nothing else to lose, because I don't.
I have no best friend, no family, no Edward.
I have nothing.
The worst part is he lets me. This life taker just holds onto me while I tug and punch and yell. I rip his shirt. I re-split his lip. I scratch his face. I pull his hair. I take us to our knees.
"I've done everything!" I cry, collapsing against him. "You can't leave me, Edward."
Our eyes meet and they stay for a moment, remembering, loving, memorizing.
Edward reaches up and twirls a lock of my hair between his fingers. He watches strawberry blonde dance in his hand before letting it fall.
Then we're being pulled away.
________________________________________________________________
DUSTY CHAPTER 38
So when she asked how I was, instead of faking it like I always had before, instead of going along like I had for months, I told the truth.
"Shitty," I said, light and casual with my attempt at honesty. "Kind of... yeah, really shitty."
She laughed. Not at me, but the half-under-her-breath, half tell me about it kind. "Yeah?"
"Yeah." I nodded.
"That sucks," she said, lifting her left hand up curiously. "Pete said he's tried to call you."
I nodded again, looking at my feet. I had on flip-flops too, but the purple paint on my toes was chipped and the ends of my sweat pants were stepped-on and frayed.
"Yeah." I nodded some more, frustrated and bitter at myself, my mom and dad, him, the world. Everything. "They took my phone and watch me like fucking hawks."
________________________________________________________________
I was wreckage, anchored by a heart I hated for keeping me alive. Skinny, dingy, and indolent, I let the life I was left with go to waste, but that day, when I got home, I still hurt, but I felt somehow better. Not stronger necessarily, but at least like I wanted to be. I cleaned my room and made an appointment to get my hair cut. I went for a walk and kept walking until the stars came out. I cried when fireworks opened up above me, but what could I do?
The next morning, I stood up straighter. I shaved my legs and put on mascara, and I demanded my iPod back.
"You can keep me here, but you can't keep music from me. It's inhuman."
________________________________________________________________
__________________________________________________________________
There was a time when girls like Bliss who were minors, were put away for behavior like this. Many finished their lives in institutions. In Dublin Ireland they were placed in The Magdalene Laundries for their entire lives. They only closed in the mid 1990's.
The Magdalene Sisters - 2002 film Miramax Joni Mitchell's song Magdalene Laundries |
Jorge Luis Borges “A book is more than a verbal structure or series of verbal structures; it is the dialogue it establishes with its reader and the intonation it imposes upon his voice and the changing and durable images it leaves in his memory. A book is not an isolated being: it is a relationship, an axis of innumerable relationships.”
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Showing posts with label yellowbella. Show all posts
Showing posts with label yellowbella. Show all posts
Sunday, February 10, 2013
REVIEW: DUSTY - Bella's Acts of DE-SHAMING
Labels:
Bella,
Bliss,
Creston Davis,
De-shamed,
Dusty,
Edward,
Joni Mitchell,
Katowice,
Kerouac,
Lorna Crozier,
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Magdalene Sisters,
Objet Petit A,
yellowbella,
Zuzanna Szatanik
Monday, January 14, 2013
REVIEW: DUSTY by yellowbella:The Mesh of Power - Foucault
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DUSTY By yellowbella |
![]() |
The Mesh of Power - Foucault |
Chapt. 14
"She said she didn't teach me to talk that way," I
mumble, feeling embarrassed. I mean, I was just
reprimanded by my mother in front of all of my
friends. She's making me wear this dress and these
flats. I have more guidelines and rules than I can
remember. I feel suffocated, like my mom and dad
are always watching me.
"She said she didn't teach me to talk that way," I
mumble, feeling embarrassed. I mean, I was just
reprimanded by my mother in front of all of my
friends. She's making me wear this dress and these
flats. I have more guidelines and rules than I can
remember. I feel suffocated, like my mom and dad
are always watching me.
Let me be my own person!
My parents still enforce a bedtime, and I'm not
allowed to be on the phone after eight. Mom gives
me crap about how much make-up I wear, or how
short my skirt is. She doesn't let me eat sugar or
drink soda. Anytime I ask to spend time with Alice,
they complain about me never being home. And
now I can't speak freely without being censored.
Their restraints are too tight, and I'm
claustrophobic. I can feel myself protesting against
their hold. It's a pressure in my chest and tension in
my jaw. It's the anger that runs cold through my
veins every time I'm told what to do, or left feeling
untrusted. It's in the pity in Carlisle and Esme's
eyes, and in every curse word Alice and Edward are
allowed to say.
It makes me want to scream.
But I don't.
I have a part to play.
chapt 17
What would her reaction be if I said no instead of
doing as she asked? Their hold on me is already so
constricting, I don't even want to think about how
tight it would get if I started acting out.
"Bella, wash your face or you're not going
anywhere." Mom drops her purse and keys on the
coffee table and sits down, showing me how serious
she is.
I feel claustrophobic. Their rules and expectations
are strangling me. She wants me to remain a little
girl forever, but here I am, fifteen ready to be
eighteen. Ready to get out of here.
It's why I need the Cullens so badly. I need the
margin they offer, even if it's only for the weekend.
They supply me with room to breathe, where my
parents are watching my every move. Alice and
Edward might make some wrong decisions, but at
least they're allowed to make their own mistakes. I
still get crap about listening to music with curse
words in the lyrics. My mother gives me
unfavorable
looks if I wear something she doesn't approve of.
My dad flashes his stupid badge every time he
drops
me off at school. I'm not allowed in the car with
Edward, I'm not allowed to be on the phone after
eight, and I'm apparently not allowed to wear
eyeshadow.
to remain a secret.
No boys until I'm seventeen. That's the house rule.
My dad thinks boys are a distraction, and my mom
believes they're only after one thing. They can't
believe that Carlisle and Esme allow Alice to be in
such a serious relationship. My mom appreciates my
friendship with Garrett. But no, no boyfriends. Not
even Garrett. Even though I'm sure he's who she
would choose for me. Who knows, if I came to them

even make an exception
to
this seventeen rule.
But if my mom and dad
were to learn about me
and
Edward, everything would be taken away. My
weekends and school vacations out of this house
would be gone, and I'd be stuck here, under their

And maybe that would
be okay if they'd let me
keep
Edward, but they
wouldn't. I don't know
what my
dad would do. I don't really know if Edward would
get in any kind of trouble or not, but I wouldn't be
surprised if they made me switch schools. My phone
would be gone, and the little independence I do
have. I'd never be allowed back over to Alice's. I
don't even know if they'd let me be her friend.
All of that is not something I can risk. Not
yet.
Not
at fifteen.
So I wash my face.
chapt 23
Pete and Ben start to give me a hard time. But they
don't know, and neither does Alice, really. No one
has parents like mine. They're constantly looking
for
for
change in me … any little imperfection will set them
off, and all of this will be taken away.
Mom and Esme watch us from the bar. Esme is all
smiles, happy to see us happy, but Mom's face is a
little different. Her eyes are looking a little harder …
deeper. If I dance the wrong way she might say
something. Or maybe she can tell that Alice has
been drinking. I don't know, but I hate being under
her microscope.
As I scope my surroundings, I notice she isn't the
only one looking. Edward, who has his hands in his
pockets and his Ray Bans on his face, even though
it's after twilight, is looking in my direction, too. So
is Garrett. I'm on this dance floor with my girl, but I
feel like their stares are pulling me in three
different
different
uncorrupted daughter; a told secret; more than
friends.
All at once, at a place like this, it's almost too much
to handle.
Esme puts her arms around me, hugging me tight.
"Oh, let her stay, Renee. This party is almost over
anyway."
he's checking me for a crack … an imperfection, a
sign that he can't trust me. I have many reasons
they shouldn't trust me, but never have I given him
one. He's leery, though. Maybe he can't help it. I'm
his daughter, but it's his job to seek untruth in
people.
I resent him for it, even though I shouldn't. Even
though I am a liar; I detest him for knowing what
to
look for—for making my life harder than I've
already
made it myself.
I can hardly contain my smile, but I do. I don't
want
want
to look too relieved in their decision to let me stay.
My dad might get suspicious. He might wonder why
I care so much. He might find the crack.
![]() |
The Gaze of Surveillance |
chapt 28
"How late did you girls stay
up? " Mom asks. She's
helping us fold up our fort,
one blanket at a time.
Mom's pitch is too high. Her
eyes are too weary.
that I need to know about? Why did you sleep until
three in the afternoon?
chapt 37
Until Dad pulls the car into the driveway and asks,
"What the hell was that, Isabella?"
"What the hell was that, Isabella?"
I hear him clearly.
Settling back into my role is seamless, but not
facile. With years of practice and the help of my
body, I sit up straight, I smile, and I force my voice
out. My eyes light up, my cheeks redden, my
no
longer the girl with the underworking heart, but the
Bliss.
I play stupid. "What?"
Charlie meets my gaze through the rear-view
mirror.
"Edward," he says.
I roll my backed-up-with-tears eyes and smirk.
"Dad, nothing. It's just Edward."
"We don't like it," Mom chimes in, with so much
implication behind her tone.
With my hand on the door handle and my stare on
the back of my mother's head, I say with a little
____________________________________
____________________________________
Quotes from the Mesh of Power - Michel
Foucault
In their work, they still continue to regard the
signified of power, the central point, that in which
power consists, as prohibition, law, the act of
saying
saying
no, and above all, the figure or expression: “You
must not.” Power is essentially those who say, “You
must not.”
What was the problem that always reappeared, that
was perpetually re-elaborated? The problem of
prohibition, essentially the prohibition of incest.
And,
And,
from this matrix, from this kernel that would be the
prohibition of incest, one attempted to understand
the general functioning of the system
...with the work of Clastres4, for example, a whole
new conceptualization of power as technology,...
In other words, the West never had another system of representation, expression
or analysis of power aside from that of rights.....
elementary, fundamental, etc. ideas which are those of law, rule, sovereign,
commission, etc.
I believe that we must now free ourselves from this juridical
I believe that we must now free ourselves from this juridical
conception of power – this conception of power derived from the law and
sovereign, from the rule and prohibition – if we wish to proceed towards
an
analysis of the real functioning of power, rather than its mere
representation
I will attempt, with regard to sexuality, not to
conceive of power from the juridical point of view,
but from the technological...
Consequently, economic processes, diverse
mechanisms, which in a certain way remained
outside control, required the establishment of a
continuous, minute power, in a certain atomizing
fashion; from a lacunal, global power to a
continuous, atomic, and individualizing power: that
everyone, each individual in and of himself, in his
body, in his movements, could be controlled, in the
place of total and mass controls.
...this second necessity: finding a power mechanism
such that, at the same time that it controlled things
and persons right down to the most minute detail,
it
it
would neither be expensive nor essentially
predatory
predatory
on society, that it would, on the contrary, be
exercised through the economic processes
themselves...(and this became the family).
On the one hand, there was this technology that I
will call “discipline.” Discipline is basically the
mechanism of power by which we come to exert
control in the social body right down to the finest
elements, by which we succeed in grabbing hold of
the social atoms themselves, which is to say
individuals. Techniques for the individualization of
power. How to monitor [surveiller] someone, how to
control his conduct, his behavior, his aptitudes, how
to intensify his performance, multiply his capacities,
how to put him in a place where he will be most
useful: this is what I mean by discipline.
what I will name the individualizing technology of
power, a technology that basically targets
individuals right down to their bodies, their
behaviors; it is grosso modo a kind of political
anatomy, an anatomo-politics, an anatomy that
targets individuals to the point of anatomizing them.
...but, rather, power must be exercised over
individuals insofar as they constitute a kind of
biological entity that must be taken into
consideration if we actually want to use this
population as a machine for producing, for
producing
producing
wealth and goods, for producing other individuals...
...sex is situated very precisely at the point of
articulation between the individual disciplines of the
body and the regulations of population. Sex is that
through which one can assure the surveillance of
individuals, and we understand why in the 18th
century, and precisely in secondary schools,
adolescent sexuality became a medical problem, a
moral problem, nearly a political problem of the
highest importance, because, through – and under
the pretext of – this control of sexuality, one could
monitor high schoolers, adolescents, over the
course
course
of their lives, at each instant, even during their
sleep
Sex is the lever between anatomo-politics and bio-
politics; it is at the juncture of disciplines and
regulations, and it is in this function that it became,
at the end of the 19th century, a political
component of the utmost importance for making
society into a machine of production.
...whereas, using the concept of the forbidden –
which, in a certain sense, is more or less isomorphic
to every society – we couldn’t do a history of
sexuality.
...we live in a society which is in the process of no
longer being a juridical society. Juridical society was
the monarchical society. From the 19th century
onward, in societies which appear as societies of
rights, with parliaments, legislatures, codes, courts,
an entirely different mechanism of power was
beginning to seep in, which did not follow juridical
forms and which did not have the law as its
fundamental principle, but instead had the principle
of the norm, but instead, medicine, social controls,
psychiatry, psychology. We are therefore in a
disciplinary world.
This is because we live in a society where crime is
no longer simply and essentially a transgression of
the law, but rather a deviation in relation to a norm.
I believe that the way in which the sexuality of
children was made into a fundamental problem for
the bourgeois family during the 19th century
provoked and made possible a great number of
controls over the family, over parents, over
children,
children,
and created at the same time a whole series of new
pleasures: the pleasure of parents in monitoring
children, the pleasure of children in playing with
their own sexuality, against their parents and with
their parents, an entirely new economy of pleasure
around the body of the child. We needn’t
necessarily
necessarily
say that parents, out of some sort of masochism,
self-identify with the law…
___________________________________
DUSTY has fictionalized the essential work of
Foucault on this subject, allowing us to more deeply
understand continental philosophy upon which the
thought of the western world rests on today. Bella's
dilemma is that she is tightly caught in a very fine
mesh of the disciplinary judicial Discourse of
power,
while
Alice
power,
while
Alice
and Edward are caught in a very loose mesh of
power based on norms. Bella understands their
position but they
position but they
cannot understand how tightly she is trapped by
the
the
law of 18 as legal enfranchisement.
When the secret is exposed Alice and Edward
discuss how Bella/Bliss has lied to them both and
their judgement is based on morality and trust
issues. They are completely unaware of the
Foucauldian Grid of
power/knowledge/capital/normality while Bliss is
acutely aware of them. Bliss is forced to "split" to
experience a double self. She feels her true self is
the self she experiences with Edward, but Dusty
has her in his own mesh of power which she is
unaware of, simply replicating the one from her
family.
Her assumed highly controlled alternative self,
Isabella Bliss, is a LIE. She must keep the secret,
the LIE, to experience what she believes is her
TRUE
TRUE
self, so the lies she must tell to protect "her true
self" must negate the LIE of her "pretend" self,
which is a LIE,
involving her
self" must negate the LIE of her "pretend" self,
which is a LIE,
involving her
in a double negation to establish her own truth,
which threatens
which threatens
to break her and melt her down.
To quote Jean Baudrillard on this:"Children
play a double game. They are in fact children,
but they do not BELIEVE they are children
and
so they play a double-game," which is what
we see Bella doing in DUSTY.
To quote Jean Baudrillard on this:"Children
play a double game. They are in fact children,
but they do not BELIEVE they are children
and
so they play a double-game," which is what
we see Bella doing in DUSTY.
Edward is in a different situation. Since the secret is
forbidden in a more surface awareness of incest, he
experiences guilt, because the constraints are his
own based primarily in the beginning on her tender
age and the incest taboo. He begins to wish for an
open relationship with
Bella as she is now old enough that he feels it will
be perceived as normal.
age and the incest taboo. He begins to wish for an
open relationship with
Bella as she is now old enough that he feels it will
be perceived as normal.
The two parental strategies are diametrically
opposed and they mirror the reality of this in our
present culture. Extreme control leads to
transgression and seduction and no or little control
leads to trying to find limits where there are none
and
leads to trying to find limits where there are none
and
guilt. But the transgressor has the advantage of
awareness and consciousness of existential choice,
but Edward, who has been seduced by "his little
sister" can only experience guilt and secrecy which
he tries to
he tries to
alleviate with cocaine.
This is a complex fanfiction with exceptionally
sophisticated themes, and shocking implications
that are arousing unconscious fantasies among
readers who are responding with rage, unconscious
rage. Many prefer the innocuous fanfics that follow
the easy template of plot turns and superficial
understanding that are easy to grasp and require
no serious emotional probing of self.
The neo-liberalism of Esme and Carlisle leaves this
loosely constructed mesh which does not prepare
their children for the constraints they will meet,
while Charlie and Renee bind their daughter and
doom her to a restricted, disciplined future life.
And this may be the reason for the polarizing
response to this story. The psychological incest is
revealed and concealed by the fact that Edward and
Bella are not blood relatives, but is that really the
issue in incest taboo. A genealogy of the incest
taboo reveals that it arose when woman were
considered as objects to be exchanged for affiliation
with another group, so the original incest taboo was
between brother and sister NOT father/mother and
children. And this has morphed into criminal
abnormal behavior when no exchange is the
issue anymore. I am sure the parental modes of
abnormal behavior when no exchange is the
issue anymore. I am sure the parental modes of
parenting are arousing deeply disturbing feelings.
This is good. This is what reading is supposed to do
Labels:
Alice,
Bella,
Bliss,
Carlisle,
Charlie,
Cullens,
Dusty,
Edward,
Esme,
Foucault,
mesh of power,
Meyer,
Panopticon,
power,
Renee,
surveillance,
Twilight,
yellowbella
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